A Whole New Mind

Pink has presented lemony scientific evidence in his book A Whole cutting Mind that comes as common knowledge to the majority of us in our order of magnitude. He also stressed the sev terml capabilities of right-brain thinking such as creativity, artistry, empathy, inventiveness, and over both big picture viewpoints. I noticed that Pink failed to insinuate any historical aspects before the 1900s. For example during the European Renaissance legion(predicate) right-brain thinking characters sprouted with many ideas for the world. These characters include painters, sculptors, inventors, musicians, and writers all across Europe.We all know, however, that the European Renaissance came and went. What will this new Conceptual time wee-wee differently than the faded right-dominance of the European Renaissance years? Looking rear end in time between the years of 1400-1550 the geniuses of this world contributed to the life-time we cognise in now. I only say this because if they weren t important to our society today than we wouldnt stupefy had to learn about them during our blue groom years or even our college years. A brilliant inventor, painter, musician, and mathemation Leonardo da Vinci is one man who seems to have a great grasp of life in all his talents.He along with many other philosophers of that era seemed to fit the description of what I feel Pink suggests we should obtain passim our lives to be successful and to lead our life in a modal value to help not only our generation but for the generations later ours as well. As we have studied in countless texts in high school about the several factors for the downfall of the European Renaissance and the complications after that time we should feel troubled to once again attempt to channel our minds.Right-brain thinking is an aged firmness of purpose. Pinks proposal is one we have already gone through but is introduced in a business-like direction unlike the European Renaissance. How are we supposed t o know that the Conceptual Age will not increase the desire to create machines that will alternate the art industry, so that beauty can be drawn in an instant? I think that Pinks transition solution from the Information Age to the Conceptual Age should be revised to condone more of what he has missed in his book that had me puzzled.