The Theatre and its Identity Crisis Essay -- Female Roles in Theatre

My trust in the definitiveness of reality is swiftly disintegrating beneath me. The deeper I dive into the abyss of theory, the much I realize that nothing I have learned is safe and sound from change that facts may actually be temporary and that everything is a captive of our construction of time. In admitting this, I worry that these hypotheses are the beginning of a tiny delusion that will begin to gradually eat remote at the rest of my sanity. That scares me a bit, yes, but even as I sit here writing, I love this newfound instability because its ironically made me feel more grounded than Ive ever felt. gird with these ideas, I have looked back at the world Ive prominent up with and finally begun to see societys seams tugged apart, its splintered frame exposed, and the idolise and worry of its people uncovered. But I have also exposed, conceal deep within its guarded chest, the hope and innovation and change that inspires humanhoods pervasive drive towards progress. Its within this fragmented conception that I feel that I have a place within this generations script. However, its now a matter of forecast out which role is mine.The cynic inside me cant champion but look at the cast list and feel an unruly sense of sadness with such a long list of characters to contract from, why do we prescribe such commonplace roles to ourselves? I suppose that it all starts with gender. Judith Butler reasons in her inspirational essay Performative Acts and Gender institution An Essay in Phenomenology and Feminist Theory that gender is a performance. She observes that wind (the biological facts defining male and female) is not what actually makes a man and man and a woman a woman, but rather that anes gender identity is determined through a styliz... ...easy for the little informed to drown in if one detail is highlighted with greater weight. Its been a constant power struggle between these two genders whose heroic goal is to find some sort of order amids t chaos. Its barely easier to have a leader, but the ways in which weve selected these privileged some I find disquieting. Though I do not study that gender is one hundred percent learnt, as Butler believes, I do think that societal impositions play too strong a role in creating identities. This is especially neat in the theatre, and I see that many of my female classmates will agree with this. Women are capable of performing in masculine manners just as the converse is true for men. But if this idea is to ever branch out into the real world, whatsoever that may mean, the theatre is a perfect place for its journey to begin- and I believe that has every right to.